A deep dive into Indecline’s provocation at the Christ of the Ozarks statue, and the blend of religious, regional and political forces at play in Eureka Springs, AR, where the banner was installed.
What is the true nature of human violence when there are no consequences? Serbian performance artist Marina Abramovic challenges this question of humanity in her daring endurance piece Rhythm 0 – a piece which forces her audience to become a part of the performance and explore their own humanity, no matter how harmful the consequences.
The censorship laws of the UAE have stifled the voices of many; yet, Shakespeare performances within the country are providing an outlet to discuss the taboo.
Filmmaker Juan Pablo González reflects on location, community, and agricultural economies in Central Mexico in his first ever gallery show at UT’s VAC.
Do artists have a responsibility to cleanse our cultural institutions of arms dealers?