As technology advances and tracing artifacts to their home countries becomes easier, curators and governments alike are forced to determine who really owns the past.
As technology advances and tracing artifacts to their home countries becomes easier, curators and governments alike are forced to determine who really owns the past.
Do artists have a responsibility to cleanse our cultural institutions of arms dealers?
Persecuted by Stalin and labeled an enemy of the people, one composer triumphed against the odds in producing some of the most important music of the 20th century.
Public monuments provide a whitewashed view of American history. Contemporary artist Titus Kaphar seeks to challenge that narrative.
Latin American artists manipulate Coca-Cola branding to address U.S. involvement in the economies of Colombia and Brazil.